ALL BERLIN JOHANNESBURG DELHI SAO PAULO TEL AVIV  



Berlin

Berlin on March 24 and 25 is the first event in the futuristic historicism that we propose: A kick-off event into a future that is long past. There will be a one-day-conference with an all-female speakers cast including scientists, archeologists, medical experts, artists and mystics and a host of other women with insights in the field of psychoanalysis, art and freedom – all allowed only those magic 15 minutes to speak. No discussions! On the second day there will be walk in the situationist tradition, led by the drop-out of tomorrows world, the men. The nomades will lead our way to the Berlin Olympic Stadium – built in 1936, the site of the 2084 games.

2081, What happened? The Berlin Congress
is generously supported by the Hauptstadt Kulturfonds



La Zona

27. April, 19:00 – Opening

28 April – 3 Juni 2012

Neue Gesellschaft für Bildende Kunst (NGBK)
Oranienstr. 25
10999 Berlin
http://www.ngbk.de

The exhibition La Zona identifies different categories of ”zone”. The main reference is the zone in Andrei Tarkovsky’s film Stalker – a territory that is at once enclosed and abandoned, deadly and healing, unpredictable, and always changing. Filmed seven years before the Chernobyl nuclear disaster, Stalker is in retrospect considered as an anticipation of this catastrophe and its consequences. La Zona constructs a science fiction narrative out of the polymorphic reality of the ”zone” as well as the fractured idea of progress and enlightenment.

Participants: Büro für Konstruktivismus, Michael Danner, Katja Davar, Amin Farzanefar, Kim Feser, Ulrike Feser, Nina Fischer & Maroan el Sani, Ralf Homann, Ins A Kromminga, Tara Mahapatra, Steven Matheson, Chris McGrane, Esther Neumann, Lina Selander, Dylan Spaysky, Charles Stankievech, Ashok Sukumaran, Florian Wüst, Daniel Young & Christian Giroux

A project by Sandra Bartoli, Michael Danner, Ulrike Feser, Silvan Linden und Florian Wüst

La Zona – German edition ISBN 978-3-938515-48-8 / English edition ISBN 978-3-938515-49-5

lazona







What happened 2081? All Then

https://www.youtube.com/watch?v=_va90HQO6QU

Voice over written and performed by Chris Petit.
Berlin March 24, Kunst-Werke Berlin

Michael Althen or All Then,

2047 December,
part of masked simian deity. Origins obscure. We don’t know, we really don’t know how these godheads came about. There is scant evidence that practices existed of organising material in sequence, and part of these were known as Project 10ns, believed to have been a form of repetitive shadow dance involving contemporary gods, which were then displayed to attendant worshippers, distinguished by their craven, passive nature.
2048 February,
within this formula existed systems of interpretation given to figures of anti-deity, some of whom nevertheless achieved a cultish, deified nature, despite the lowliness of their position as copyists. The racing driver and playboy Slavoj Zizek was believed to have been among those who transcended the worthless task of transcribing the unfolding of the shadow dance in another forms, as well as the trinity of Farber, Rosenbaum and Durgnat.

2048 October,
the originality of the simian deity may be traced back to a fragment which resists interpretation in any contemporary context: a sublime moment outside the space of narrative comes when Keitel tries to start an unfamiliar car and the radio blasts out Mickey’s Monkey by the Miracles and an intransigent De Niro dances wildly on the other side of the windshield [fragment; origin unknown]. It is possible that Mickey’s Monkey may be a reference to Althen or All Then because Mickey is thought to have been a variation of the name Michael, and the scene needs to be read as some form of worship to the Althen or All Then cult.

2049 April,
it is also thought that something called screens were central to this deity of the Project 10ns, but there is dogmatic controversy over whether these screens were a device to show or the intention was to conceal.









FROM: Neu Modern Eastern Commando, Office of Truth Liaison

——– Original Message ——–
Subject: 2081
Date: Tue, 27 Mar 3001 23:57:52 +0000
From: ECOTL@neu-modern.net
Reply-To: ECOTL@neu-modern.net
To: DB@3sic.co.za

FROM: Neu Modern Eastern Commando, Office of Truth Liaison
TO: 3SIC-DB (Third Secure Intellectual Compound, Defence Brigade)

FAO: Officer of the Watch

STRICTLY CONFIDENTIAL

Dear Colleague.

Please note the following advisory security update:

The Neo Post Structuralist Faction (NPSF) is active in your sector. These self proclaimed progressives are the enemy of progress itself. The NPSF will stop at nothing to defend the relativistic swamp required for their colleagues’ theoretical work to flourish, allowing them to promulgate their atavisitc delusions to the wider population.

Despite their apparent intellectual opposition to doctrinal religious extremism the NPSF may recently have made common cause with wealthy evangelical fundamentalists. The NPSF is prepared to fight a proxy war on behalf of religious fundamentalism on the basis of their shared loathing for modern progress. In forging this alarming alliance the NPSF have secured access to heavy weapons.

Associates of a precursor of the NPSF held a conference of lies in 2081 in the feminised zone of the former Berlin ( now a giant Portugese migrant slum in West Austria). This conference proposed a pornography of cultural and political submissiveness, celebrating a demented vaginocentric cultural limbo.

Recently taxis in Johannesburg have been daubed with graffiti appearing to re iterate slogans and nostrums first heard at the 2081 conference of lies. These are likely to be connected to semaphore signals recently decoded by one our roving helium drone cameras and reliably mapped to known NPSF linguistic tropes.

An NPSF action may be imminent.

Extreme caution is advised.

Sincerely,

Officer of the Watch

Armor! Valor! Truth!

shoes120811











****** March 24, 10:30 Kunst-Werke *****

starts 10:30, at Kunst-Werke, with:

South-African sociologist Sarah Nuttall *

Mezzo-soprano Melanie Forgeron and pianist Katharina Sellheim*

American theorist Victoria Nelson *

Vera Lehndorff, performance artist from Berlin *

Composer Annie Gosfield from New York*

Portuguese artist Filipa César *

Portuguese actress Joana Barrios*

artist and fashion designer Ayzit Bostan from Munich *

Landscape Architect Sandra Bartoli from Berlin*

costume designer and opera director Aino Laberenz *

German theoretical chemistrist Barbara Kirchner *

performance artist Anne Tismer *

singer and actress Julia Hummer *

cellist and composer Hildur Guðnadóttir from Island *

American sociologist Avery F. Gordon with artist Celine Condorelli *

German-American actress Lavinia Wilson  *

writer, exhibition maker, and lecturer Anna-Catharina Gebbers from Berlin*

 

Amitesh Grover will organize a live performance from Old Delhi.

OPOVOEMPÉ will be live with us from São Paulo.

 

++++++++ At night Sam Chermayeff will present an archive ++++++++











New Contributors for Berlin:

Avery F. Gordon is Professor of Sociology at the University of California, Santa Barbara, Visiting Faculty Fellow at the Center for Research Architecture, Goldsmiths College, University of London and Keeper of the Hawthorne Archives. She is the author of Ghostly Matters: Haunting and the Sociological Imagination and works about captivity, war, and other forms of dispossession and how to eliminate them. She worked with the artist Ines Schaber on the project The Workhouse for Documenta 13.
Avery will show a piece she has done with artist Celine Condorelli, a correspondence araound “Hawthrone Archive”

http://www.averygordon.net/index.php?/projects/the-hawthorne-archives/

 

Prof. Dr. Barbara Kirchner is Chair of Theoretical Chemistry at the University of Leipzig. Barbara’s work is diverse, ranging from understanding liquids and solvents, intermolecular forces and processes in the condensed phase, to quantum chemical analysis of interesting molecules, and methodological developments. Barbara is the editor of the volume Ionic Liquids in the series Topics in Current Chemistry and writes for German magazines and newspapers as Frankfurter Allgemeine Zeitung, De-bug, Spex and Texte zur Kunst. She is the co-author of the recently published “novel in concepts” Der Implex with Dietmar Dath.

 

Lavinia Wilson is a German-American actress who made her debut in Sherry Hormann’s thriller Leise Schatten. Lavinia caused a stir with her performance in the TV movie Das erste Mal (The First Time) where she played a teenager who desperately wants to have sex for the first time. Lavinia won the actor’s award at the Tbilisi film festival and in San Sebastián for her performance in Dito Tsintsadze’s  Schussangst and the Max Ophuels award as “Best young actress” for her portrayal of a fun-loving young woman in Allein (Alone). Lavinia studies philosophy, history, and sociology in Berlin.



“The Life of Christina the Astonishing, As Told By the Martyr Herself in the Year 2081 C.E.”

On March 24, Victoria Nelson will talk about:

”Taking as my motto the old proverb, “The future has an ancient heart,” I will describe the adventures of the twelfth-century Flemish saint Christina Mirabilis, celebrated for coming back from the dead with astounding superpowers, when she finds herself in a postapocalyptic North American setting 900 years later.”









Ghost Milk

Robert Macfarlane, The Guardian:
Iain Sinclair’s struggles with the city of London
Iain Sinclair has spent decades documenting the capital and its edgelands. Now he has launched a furious attack on the Olympic development project.

 

http://www.guardian.co.uk/books/2011/jul/15/ghost-milk-iain-sinclair-olympics

I was convinced that my earlier hunch was right: buried inside the oval of the stadium was a particle accelerator. Relativity, the old Lea Valley space-time mush, was being scrambled. Outside the circuit of the blue fence, voodoo snakes, big-mouth crocodiles and eviscerated chickens were screaming on walls: Berlin ’36. Mexico City ’68. Munich ’72.



The New Chronology

When we tried to get in touch with Christian Posthofen of Walther König Bookstore, we got an email back stating that Mister Posthofen will be back in office February 13. This was in German. The English version read: I will be back February 7. This is an important finding and relates to God Reloaded (see below): There is a New Chronology taking shape, there is a time gap between the German and the English and most likely also between the German and the Chinese, the English and the French, the French and the Chinese, the French and the German, the English and the Chinese. We all used to live in one time span, this was a central premise of modernity created by the Gregorian calendar, established by the way on February 24, 1582. We are witnessing the beginning of a massive shift in chronology, there are gaps suddenly appearing, this is, most likely, only the beginning of something like a continental drift of time.





++++ Berlin March 24 +++++

Speakers so far:

South-African sociologist Sarah Nuttall *

American theorist Victoria Nelson *

Vera Lehndorff, performance artist from Berlin *

Portuguese artist Filipa César *

artist and fashion designer Ayzit Bostan from Munich *

costume designer and opera director Aino Laberenz *

professor for theoretical chemistry Barbara Kirchner *

performance artist Anne Tismer *

singer and actress Julia Hummer *

 

*****Lunch by Mogg & Melzer*****

++++++++ At night Sam Chermayeff will present an archive ++++++++





Conflict is over

Another story of Filipa. When there is a disagreement in the family, her daughter says: Can’t we be all Nelson Mandela?



God reloaded

Constant signs of change: Filipa told us today the story of her daughter who attends the Nelson Mandela School in Berlin. Question: Do you believe in God? No, we believe in English.



Quantum Diplomacy, German-American Relations, and A Psychogeography of Berlin

Bosch Fellow James Der Derian was supposed to be working on a book version of his documentary film Human Terrain , about the deployment of academics in the Iraq war. Armed with graduate degrees in anthropology and other social sciences, academics went to battle as cultural advisers, aiding the US Army in winning “hearts and minds.” But instead of working on this book, and after he wrote an opinion piece in the Berliner Zeitung about Eisenhower’s 1961 “Farewell Speech,” Der Derian become embroiled in a debate about a proposed Ronald Reagan Platz.

Through a series of events — a television interview, a newspaper opinion piece, a panel discussion — he found that his involvement in Berlin’s “local” debate was creating a kind of strange US-German diplomacy that defied the traditional notion of state-actor official negotiation. It was a “diplomacy” that, like it does increasingly all over the globe, engages smaller nodes of interaction: cities, towns, NGOs, media representatives, and other “byways of representation”: the internet, public and private — discussion across multiple platforms. Once upon a time, the secretary of state under Ronald Reagan, George P. Shultz, along with his colleague Sidney Drell, called this kind of multifaceted, hard-to-pin-down diplomatic entanglement, “quantum diplomacy.” Diplomacy now, Der Derian says, is increasingly like this: “phase-shifting,” “level-jumping,” “distance-traversing,” rising, falling, dividing. It is, he says, a bit like Schrödinger’s Cat: how should one determine where and in what state it was at any one point?

Quantum diplomacy soon entered Der Derian’s life even more deeply. In February, as he was mulling his opinion piece for the Berliner Zeitung, he wandered through the streets of Berlin taking photographs of American street names: Harry S. Truman Street, Clay Allee, John F. Kennedy Platz, John Foster Dulles Street. Yet he could not find any Dwight D. Eisenhower, the US President who actually liberated Berlin at the end of the Second World War. Was this an oversight? You could find streets named for communist Rosa Luxemburg, war theorist Carl von Clausewitz, and philosopher Walter Benjamin. Der Derian proposed a new thoroughfare for the German capital: Ike Street.

Shortly thereafter, unconnected to Der Derian, a debate emerged on anniversary of Ronald Reagan’s 100th birthday. Newspapers and magazine began floating the question as to why there was no street in Berlin named after Ronald Reagan, the man who symbolically ended communism in Eastern Europe and told Gorbachev to tear down the Berlin Wall. The city of Prague honored him, as did the Hungarian Parliament, and the city of London unveiled a Reagan statue. Several US Embassies were “Reaganized,” Der Derian said, which made sense in Eastern Europe. But in Berlin there was no event. No statue. And no street.

Having buildings and libraries and streets named after political figures costs money and dedicated lobbyists. In his lecture tonight, Der Derian reviewed exactly how much, and how the various monuments and buildings dedicated do Reagan in the United States and abroad came about — as well as how the critique of Reagan in the discussion surrounding these commemorations was often stifled (for example, the Iran-Contra affair’s enormous damage to US foreign relations). In Berlin, however, the resistance to a Reagan Platz (proposed to replace Pariser Platz, in front of the Brandenburg Gate, where Reagan gave his “Tear Down This Wall” speech) became louder. The decision was made at the district level, and many CDU politicians “were shamed” at the heated resistance by the city’s left-leading politicians.

Der Derian became even further, if reluctantly involved when the English-language German news organization Deutsche Welle asked him to give a interview about the debate over street names in Berlin as “an expert on the subject” — a label Der Derian found curious, particularly as he had only written one opinion piece about a street name, and it was about Eisenhower, not Reagan, and he had no expertise in German-American diplomacy. Over three hours of filming, Der Derian was situated in front of some of Berlin’s most famous and politically loaded places: John F. Kennedy Platz, Rosa Luxemburg Platz, the bronz statue of Marx and Engels, and at Karl Liebknecht Platz. At tonight’s lecture, Der Derian showed the Deutsche Welle film (whose crew he praised) that was created to essentially give a summary of the debate over renaming Pariser Platz as Reagan Platz. Therein, Der Derian was positioned as a counterweight to the US Embassy’s press attache (Mitchell Moss) — and was radically mis-edited and taken out of context. The “Guest Professor” at the Academy would love to see Ronald Reagan Platz in the middle of Berlin at the place assigned with “bridging East and West.” What Der Derian had actually said, however, sardonically, was that if there was going to be a Ronald Reagan Platz at all, that it should put it right in the middle so everyone could see it and debate it. He said nothing in favor of the Platz or anything against it. His perspective was more the Baudelairian flaneur, filtered through Walter Benjamin’s notion of an aestheticized politics. In the new world of quantum diplomacy however, Der Derian, he says, was spun. Quantum diplomacy at work. There will be no Ronald Reagan Platz at the Brandenburg Gate anytime soon. Whether there will be an Ike Strasse remains to be seen. Perhaps another newspaper editorial would do the trick. rjm

The American Academy in Berlin:
http://www.americanacademy.de/home/program/past/quantum-diplomacy-german-american-relations-and-psychogeography-berlin



Harrison Bergeron by Kurt Vonnegut Jr.

The plot is set in the year 2081. Due to the 211th, 212th and 213th Amendments to the Constitution of America, all Americans are mandated equal. “They were not only equal before God and the law. They were equal every which way.” In America no one is more intelligent than anyone else, no one is better looking or more athletic than anyone else. In order to stop any sort of competition in society these measures are enforced by the United States Handicapper General. The current Handicapper General, Diana Moon Glampers, and her team of agents have developed several forms of “handicaps.” Beautiful people are forced to wear masks, athletic people have to carry weights, and intelligent people have to wear radios in their ears that interrupt thoughts with loud noises. In April 2081 the agents of the Handicapper General take fourteen-year-old Harrison Bergeron away from his parents, George and Hazel. The couple is not aware of the full extent of that tragedy because Hazel is of average intelligence and George has to wear the mental handicap radio. Later that day the two are watching ballerinas on live television where the talented dancers have weights on their arms and feet. The show is interrupted by a bulletin announcing that Harrison Bergeron has escaped from prison. A picture of Harrison wearing several handicaps is shown. Suddenly the photo is replaced by images of Harrison storming the studio. Ripping off all his handicaps he declares that he is the emperor and a greater ruler than anyone else. He chooses one of the ballerinas as his empress, liberates her from her handicaps, and starts to dance with her. They dance until they kiss the ceiling. A few seconds later Diana Moon Glampers enters the studio and kills Harrison and his empress with a shotgun, and then the screen goes dark. George Bergeron misses these events, having left to get a beer. He returns and finds Hazel crying on the couch. She says that something sad must have happened on TV, but that she cannot remember what it was. George tells her to forget about sad things.



Berlin

2081, What happened?
The Berlin Congress is generously supported by